Search results for 'inter'

Items 37 to 45 of 119 total

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  • Item:MER-1193

    Libretto, Daniel Buren: een fresco

    De Franse kunstenaar Daniel Buren (°1938) ken je van zijn vast patroon van witte en gekleurde verticale strepen geïnspireerd op luifels van Parijse bistro’s. Door het tijdelijke karakter van Burens werk is een klassieke retrospectieve onmogelijk. Met de tentoonstelling Een Fresco gaat hij de uitdaging voluit aan. Voor het eerst in zijn carrière maakt Buren een film die zoveel mogelijk van zijn verdwenen interventies oproept. In de tentoonstellingszalen van het Brusselse BOZAR, waar van 19 februari tot en met 22 mei een grote overzichtstentoonstelling loopt, verbindt hij zijn strepen met het werk van meer dan 100 kunstenaars. Deze zijn stuk voor stuk grote vertegenwoordigers uit de 20ste en 21ste eeuw, zoals Paul Cézanne, Fernand Léger, Pablo Picasso, Jackson Pollock, Sol LeWitt, Pierre Huyghe en vele anderen. Ook buiten het tentoonstellingscircuit belooft Buren de dialoog aan te gaan met de architectuur van het Paleis voor Schone Kunsten. De bijhorende publicatie is opgevat als een krant, naar analogie met The Buren Times uit 2005, gemaakt voor Burens tentoonstelling in het Guggenheim in New York. Libretto bevat diverse rubrieken waaronder de tentoonstelling, maar ook een overzicht van interventies die Daniel Buren in het verleden in België en daarbuiten heeft gemaakt. Met bijdragen van Daniel Buren, Joel Benzakin, Bernard Blistène, Rudi Fuchs, Luk Lambrecht, Frederik Leen en Paul Dujardin.


    €30.00
  • Item:MER-1192

    Libretto, Daniel Buren: a fresco

    French artist Daniel Buren (°1938) is best known for his fixed pattern of white and colored vertical stripes, which are inspired by the screens that shade Parisian bistro terraces. Because of the temporary nature of Buren's work, it seems impossible to initiate a classical retrospective. Buren nevertheless accepted the offer that BOZAR, Brussels Palais des Beaux-Arts, offered him to curate the exhibition A Fresco. This show's intention is twofold. On the one hand the artist created a film especially for the exhibition which recalls his lost interventions as much as possible. On the other hand, Buren has connected his trademark stripes to existing work by over 100 renown artists from the 20th and 21st centuries, such as Paul Cézanne, Fernand Léger, Pablo Picasso, Jackson Pollock, Sol LeWitt, Pierre Huyghe and many more. Both these set ups as well as BUren's new interventions in the BOZAR are what A Fresco is all about: a unique show running from February 19th till May 22nd. 



    The accompanying publication is conceived as a newspaper, by analogy with The Buren Times, which Daniel Buren made especially for the 2005 exhibition devoted to his art in 2005 at the Guggenheim in New York. Libretto comprises several headers such as the exhibition itself, a review of past interventions by the artist in Belgium and beyond. Featuring texts by amongst others Daniel Buren, Joël Benzakin, Bernard Blistène, Rudi Fuchs, Luk Lambrecht, Frederik Leen and Paul Dujardin. 


    €30.00
  • Item:MER-1187

    La Chose, Même, Julião Sarmento

    The publication La Chose, Même is a tribute to the first Julião Sarmento (°1948) panorama held at the Calouste Gulbenkian Foundation in Paris, curated by Ami Barak. Julião Sarmento is one of the most notable members and instigators of a wave of Portuguese artists emerg-

    ing in the wake of the democratic regime in Portugal. Because of his assertive participation in post-war artistic reflections and because of the certainty and consistency of his discourse, Sarmento’s work was rapidly appreciated by the interna- tional art scene; resulting in group and solo shows and representations in major galleries throughout the world. La Chose, Même is a generous collection of Sarmento’s photographs, drawings, sculptures, videos and performances, presented with insightful essays by Ami Barak and Mara Ambrožic.


    €29.00
  • Item:MER-1185

    Ground, Jeroen Uyttendaele & Dewi de Vree

    In the audio-visual performance ‘Ground’ by Dewi de Vree and Jeroen Uyttendaele the acoustic is rendered tactile. Fascinated by ways of rematerialising an increasingly dematerialised and idealised world, their work can be seen as an attempt to approach electronic music in a more intuitive, engaging manner. Using graphite, a material that conducts electricity and is used in everyday variable resistors, they compose drawings that figure as the interface that controls the volume, pitch and amplitude of the piece. As the lines drawn stretch, intersect or encounter foreign conductive elements – such as the hand – the sound is either modulated or becomes warped. The result is a performance that blends senses together or juxtaposes them, as it creates tension between the unpredictable, aleatoric qualities of the graphite and the order of lines that the performers impose upon it, which form the rudimentary ‘score’ of the piece. This book presents a collection of 51 of these graphite drawings and is accompanied by a video recording of ‘Ground’ performed live by the artists at Studio Loos in The Hague. 


    €27.50
  • Item:MER-1183

    GROUND (Book + DVD)

    DVD: GROUND, Recorded at Studio Loos, The Hague, July 2014 (11:59)



    Co-production with iii

    Distributed by N.E.W.S.

    Release Date: February 12, 2016

    Limited edition of 300 copies

    Design by Jeroen Wille & Ruud Ruttens



    In the audio-visual performance ‘Ground’ by Dewi de Vree and Jeroen Uyttendaele the acoustic is rendered tactile. Fascinated by ways of rematerialising an increasingly dematerialised and idealised world, their work can be seen as an attempt to approach electronic music in a more intuitive, engaging manner. Using graphite, a material that conducts electricity and is used in everyday variable resistors, they compose drawings that figure as the interface that controls the volume, pitch and amplitude of the piece. As the lines drawn stretch, intersect or encounter foreign conductive elements – such as the hand – the sound is either modulated or becomes warped. The result is a performance that blends senses together or juxtaposes them, as it creates tension between the unpredictable, aleatoric qualities of the graphite and the order of lines that the performers impose upon it, which form the rudimentary ‘score’ of the piece. This book presents a collection of 51 of these graphite drawings and is accompanied by a video recording of ‘Ground’ performed live by the artists at Studio Loos in The Hague.



    Technical information here

    Pictures of the book you can see here






    €27.50
  • Item:MER-1171

    Addenda, Jasper Rigole

    Addenda is the joined title of a series of publications, which reflects on the practice that artist Jasper Rigole (°1980) developed in the past ten years. In that period, the artist manifested himself as collector, artist, archivist, researcher, founder and employee of the fictitious International Institute for the Conservation, Archiving and Dissemination of Other People’s Memories (IICADOM). These seven publications can be viewed as an addendum to the artist’s practice as well as to each publication as such. However, this statement could also be inverted, in which the work itself would function as an addendum to the publication. Central in Rigole’s book is the work “81 things which I thought I had forgotten”, in which Rigole researches the mnemonic quality of 81 objects stored in his studio and how these operate within the artist’s practice. In co-production with KASK, Jubilee, Z33 and Brakke Grond. The publication is bilingual, with a focus on Dutch.

    €30.00
  • Item:MER-1170

    Ghost Shift III, Stefaan Dheedene

    Ghost Shift is a) a closed display case housing a circular table saw and a copy machine, b) a the simultaneous performing of sawing and copying by two actors in the Ghost Shift display case, c) a series of books, registers of the consecutive Ghost Shift performances. On January 31, 2009 at Deweer Gallery in Otegem, Belgium, Stefaan Dheedene systematically sawed small wooden beams into pieces as small as he could make them. Deborah Delva simultaneously began copying on A4 paper, starting from a blank sheet, always using the latest copy as the original. A process of photographic feedback started. Another process was that of physical interference: sawdust gathering on the glass plate of the copy machine. The performance ended when all wood was cut. This publication is a collection of centerfold pages that can be removed for exhibition purposes. The publication Ghost Shift III comes in an edition 3 copies; all signed and numbered by the artist. Price on request.

    €0.00
  • Item:MER-1169

    Ghost Shift II Centerfold, Stefaan Dheedene

    Ghost Shift is a) a closed display case housing a circular table saw and a copy machine, b) a the simultaneous performing of sawing and copying by two actors in the Ghost Shift display case, c) a series of books, registers of the consecutive Ghost Shift performances. On January 31, 2009 at Deweer Gallery in Otegem, Belgium, Stefaan Dheedene systematically sawed small wooden beams into pieces as small as he could make them. Deborah Delva simultaneously began copying on A4 paper, starting from a blank sheet, always using the latest copy as the original. A process of photographic feedback started. Another process was that of physical interference: sawdust gathering on the glass plate of the copy machine. The performance ended when all wood was cut. This publication is a collection of centerfold pages that can be removed for exhibition purposes. The publication Ghost Shift II comes in an edition of 21 copies; all signed and numbered by the artist. Price on request.

    €0.00
  • Item:MER-1159

    Ignorance, A Laboratory On The Open Fields

    A collection of plans, descriptions of art works, pictures of events, creative texts and drawings, made by an international group of artists about issues in environments and art. The initiative 'A Laboratory on the Open Fields' (ALOTOF) was working outside the general and accepted lines of conventional creativity, trying to investigate new forms and methods for an ecological media art. The book gives an insight into an intriguing world where objects, ideas, nature, and art are mixed from the start. It shows how exciting, inventive, and unacademic artistic research by artists can be. The editors and contributors, mainly from Belgium, France, and the Czech Republic, created this selection of field notes, texts and images as an art book in-between an aesthetical object and an informative assemblage. Editors are Gívan Belá & Annemarie Maes.


    €20.00

Items 37 to 45 of 119 total

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