Search results for 'stefaan'

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  • Item:MER-326

    Freestate



    This catalogue features as a retrospective of the exhibition Freestate (Ostend, 2006), which showed work by twenty young Belgian artists and one collective. The catalogue not only provides a visual overview of the works on display, it also displays a series of post factum reflections on the autonomy of art and the context of the exhibition such as: its relation to space and its boundaries, the state of Belgian art, the position of the artist in the current-day consumption and spectacle society, …The exhibition showed works by Sven Augustijnen, Virginie Bailly, Vaast Colson, Louis De Cordier, Koen De Decker, Stefaan, Geert Goiris, HAP, Peter Lagast, Lawrence Malstaf, Wesley Meuris, David Neirings, Benoît Platéus, Gert Robijns, Helmut Stallaerts, Koen van den Broek, Raphaël van Lerberghe, Pieter Vermeersch, Katleen Vermeir en Katrien Vermeire.


    €20.00
  • Item:MER-551

    Against the Sun , Stefaan Dheedene

    'Against the Sun' is een collectieopstelling van het Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in het kader van het het Lichtfestival te Gent. De samenstelling van de werken gebeurde door Stefaan Dheedene en Philippe Van Cauteren.





    'Against the Sun' is a collection display of the Stedelijk Museum voor Actuele Kunst (S.M.A.K.). This installation included works from the collection of S.M.A.K. and was installed at the occasion of the Lightfestival, Ghent. The works were assembled by Stefaan Dheedene and Philippe Van Cauteren.




    €20.00
  • Item:MER-1169

    Ghost Shift II Centerfold, Stefaan Dheedene

    Ghost Shift is a) a closed display case housing a circular table saw and a copy machine, b) a the simultaneous performing of sawing and copying by two actors in the Ghost Shift display case, c) a series of books, registers of the consecutive Ghost Shift performances. On January 31, 2009 at Deweer Gallery in Otegem, Belgium, Stefaan Dheedene systematically sawed small wooden beams into pieces as small as he could make them. Deborah Delva simultaneously began copying on A4 paper, starting from a blank sheet, always using the latest copy as the original. A process of photographic feedback started. Another process was that of physical interference: sawdust gathering on the glass plate of the copy machine. The performance ended when all wood was cut. This publication is a collection of centerfold pages that can be removed for exhibition purposes. The publication Ghost Shift II comes in an edition of 21 copies; all signed and numbered by the artist. Price on request.

    €0.00
  • Item:MER-1170

    Ghost Shift III, Stefaan Dheedene

    Ghost Shift is a) a closed display case housing a circular table saw and a copy machine, b) a the simultaneous performing of sawing and copying by two actors in the Ghost Shift display case, c) a series of books, registers of the consecutive Ghost Shift performances. On January 31, 2009 at Deweer Gallery in Otegem, Belgium, Stefaan Dheedene systematically sawed small wooden beams into pieces as small as he could make them. Deborah Delva simultaneously began copying on A4 paper, starting from a blank sheet, always using the latest copy as the original. A process of photographic feedback started. Another process was that of physical interference: sawdust gathering on the glass plate of the copy machine. The performance ended when all wood was cut. This publication is a collection of centerfold pages that can be removed for exhibition purposes. The publication Ghost Shift III comes in an edition 3 copies; all signed and numbered by the artist. Price on request.

    €0.00
  • Item:MER-1350

    List, Stefaan Dheedene

    This first monograph on conceptual artist Stefaan Dheedene (°1975, Belgium) brings an overview of 20 years of artistic practice. The book can be considered as an instrument or handbook, that was created in order to conceive a mental and fysical space in which the oeuvre can be compressed and interrelationships can be exposed. This monograph was structured by Dheedene himself, by the use of eight named lists. This principle makes the underlying artistic research visible and creates the possibility of a multiple approach, without falling into corrections and forced interpretations and contextualization.


    €39.00

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