Search results for 'van snick'

Since the 1960s artists from various countries have positioned themselves increasingly within a system of art that, although established in Western Europe and the United States, is now global in its reach. However, Italian artists in particular have, with some exceptions, resisted expressing a certain putative artistic “Italian-ness,” thus undermining the global system’s tendency to identify artists, artworks, and movements according to nationality. By the same token, Italian artists have rarely endorsed global styles or concerns, effectively subverting the system’s attempt to establish unifying criteria of form or content. This unusual volume, by turns theoretical treatise, catalogue raisonné, art-historical survey, and virtual exhibit, offers fresh insight into the dynamic of subtraction that characterizes a significant body of works by Italian artists such as Giovanni Anselmo, Elisabetta Benassi, Gino De Dominicis, Francesco Matarrese, Marisa Merz, Luigi Ontani, Cesare Pietroiusti, Michelangelo Pistoletto, and Emilio Prini.

For many years now, Johan De Wilde’s work has been praised for its meticulous drawing style. The many solemnly applied layers that compose the works also hide in their folds, ever shrinking never to vanish, the Great Irony of our existence and its languages. This first monography presents over 500 drawings, prints and collages from the early nineties to today, concluding with the epic series Hands of Time. The book includes an essay by Hans Theys. A must for those acquainted with De Wilde’s works and a perfect introduction for all others.

Leaf through the book here

Laureate for De Best Vormgegeven Boeken 2013