Search results for 'de vilder'

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  • Item:MER-1310

    Dead Poetry, Cindy Wright

    Colour etching on Zerkall Natural White 230gr. + signed book. Edition of 30 copies


    €600.00
  • Item:MER-1290

    II. MERA: Daily Chores on 5th Avenue, Ištvan Išt Huzjan

    On the occasion of the exhibition NSK State Art: New York, The Impossible Return at James Gallery of the Graduate Center City University of New York Huzjan walked the 5th Avenue from the corner of W143 street and 5th Avenue to the North entrance of the Washington Square Park. His movement was photo documented from the position of the Avenue’s 126 intersections. During his walk he cleaned the gutter of the Avenue by collecting waste in transparent plastic 16-gallon bags. A heap of filled 6 garbage bags were exhibited in front of the gallery at 365 5th Avenue on 8th of February 2017. The following morning the heap was picked up by The City of New York Department of Sanitation.


    €185.00
  • Item:MER-1170

    Ghost Shift III, Stefaan Dheedene

    Ghost Shift is a) a closed display case housing a circular table saw and a copy machine, b) a the simultaneous performing of sawing and copying by two actors in the Ghost Shift display case, c) a series of books, registers of the consecutive Ghost Shift performances. On January 31, 2009 at Deweer Gallery in Otegem, Belgium, Stefaan Dheedene systematically sawed small wooden beams into pieces as small as he could make them. Deborah Delva simultaneously began copying on A4 paper, starting from a blank sheet, always using the latest copy as the original. A process of photographic feedback started. Another process was that of physical interference: sawdust gathering on the glass plate of the copy machine. The performance ended when all wood was cut. This publication is a collection of centerfold pages that can be removed for exhibition purposes. The publication Ghost Shift III comes in an edition 3 copies; all signed and numbered by the artist. Price on request.

    €0.00
  • Item:MER-1169

    Ghost Shift II Centerfold, Stefaan Dheedene

    Ghost Shift is a) a closed display case housing a circular table saw and a copy machine, b) a the simultaneous performing of sawing and copying by two actors in the Ghost Shift display case, c) a series of books, registers of the consecutive Ghost Shift performances. On January 31, 2009 at Deweer Gallery in Otegem, Belgium, Stefaan Dheedene systematically sawed small wooden beams into pieces as small as he could make them. Deborah Delva simultaneously began copying on A4 paper, starting from a blank sheet, always using the latest copy as the original. A process of photographic feedback started. Another process was that of physical interference: sawdust gathering on the glass plate of the copy machine. The performance ended when all wood was cut. This publication is a collection of centerfold pages that can be removed for exhibition purposes. The publication Ghost Shift II comes in an edition of 21 copies; all signed and numbered by the artist. Price on request.

    €0.00
  • Item:MER-1167

    A skydog's time. A skydog's place, Jochem Vanden Ecker

    A skydog’s time. A skydog’s place, is an artist's book dealing with notions of unbuiltness on many different levels. It is based on both the book ‘projet pour un livre. projet pour un film.’ by Nico Dockx and Helena Sidiropoulos (in its turn based on an unpublished catalogue of Marcel Broodthaers) published by RA in 2009 and a selection of raw photographic footage of an unfinished abandoned skytrain shot between August 2007 and January 2009 in Bangkok Thailand. Numbered and signed in a limited edition of 100 copies. 


    €150.00
  • Item:MER-1163

    I, the Dog of my Master, Diego Tonus

    This book consists of thirty-six preparatory sketches used for the making of I, the Dog of my Master, an animation that refers to a video taken with a mobile phone, in which a dog has been filmed throughout the course of a day. The artist has redrawn each frame constituting this video (1'58") over a period of two years (2006-2008), focusing on the main subject and its gestures. Both camera movements and the animation technique used to retrace each image, contribute to enhance the cinematographic quality of the video and to spectacularize a personal everyday life moment. Numbered and signed by the artist in an edition of 200 copies; with poster.


    €65.00
  • Item:MER-1134

    I, the Dog of my Master, Diego Tonus

    These drawings, all made with a BIC ballpoint pen, are preparatory sketches used for the making of "I, the Dog of my Master", an animation that refers to a video taken with a mobile phone by Italian artist Diego Tonus, in which a dog has been filmed throughout the course of a day. The artist has redrawn each frame constituting this video (1'58'') over a period of two years (2006-2008), focusing on the main subject and its gestures. Both camera movements and the animation technique used to retrace each image, contribute to enhance the cinematographic quality of the video and to spectacularize a personal everyday life moment. Several preparatory sketches available. Contact us for more information. Certificate signed and numbered by the artist. 




    €450.00
  • Item:MER-1132

    Towards the soul of the wine bottle, Adriaan Verwée

    Artist edition specially designed on the occasion of MER. Station 11, held at Netwerk, Aalst (B) in the Spring of 2015. Each of the 20 boxes contains Verwée's artist book 'Under a poor cloak you commonly find a good drinker' and a signed and numbered silk-screen print. 


    In his MER. Station 'Towards the soul of the wine bottle’, artist Adriaan Verwée (°1975) explored the possibilities for translating his artist’s book back into a spatial intervention. Starting from the individuality of his practice, which is characterized by a particular interest in architecture, a startling process of transformation takes place. With a powerful physical gesture, the artist demolished the sculptural contours of Netwerk and allowed a new installation to rise from the ruins. The remains of the presentation material were reorganized in the new order and supplemented by new works created specifically for the site. These objects in turn relate to the soul of his publication, the hollow space in which artistic sediment accumulates. 


    €450.00
  • Item:MER-1117

    Through and Through, Dimitri Vangrunderbeek

    For this artist's book, Dimitri Vangrunderbeek carefully placed old mirrors and glass from second-hand table tops -often large, heavy and fragile- on drying paper, and subsequently traced them with a pencil. A 10-metre long drawing of partly overlapping tracings was used to connect to the space of Vangrunderbeek's studio. It was laid out on working tables across the three rooms of his studio on a structure of hardboard sheets. In an attempt to connect the drawing to space, a couple of mirrors were again positioned on the tracings and were partly traced with a cutter. When cutting out forms from the drawing, the hardboard appeared through the paper. When cutting further across the hardboard, fragments of tabletops of the supporting working tables and fragments of the studio floor became visible. A selection of tables, objects and sculptures present in Vangrunderbeek's studio was used to compose the views of the different holes in the drawing, with the intention of accentuating the essences of their formal and material qualities. This artist's book was published within the framework of the author's PhD research and in conjunction with the exhibition "Dealing with Ordinary Form" held at Netwerk, Aalst from March 29th til June 13th 2015. Edition of 250 copies, 125 signed and numbered (€ 50). 


    €50.00

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