Search results for 'mat mullican'

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  • Item:MER-1410

    In de eerste uren Zomer, Inge Braeckman

    In haar jongste dichtbundel In de eerste uren Zomer neemt Inge Braeckman het delicate maar belangrijke evenwicht tussen natuur en cultuur, poëzie en muziek, taal en zang als uitgangspunt. Aan de hand van vier delen die fungeren als vier bewegingen van het muzikaal-poëtische principe, structureert ze de bundel op een intuïtief-rationele manier waarbij ze telkens weer elke voor de hand liggende of voorspelbare systematiek ontkracht. Op die manier ontstaat er een ingenieus spel met de gulheid en onverwachtsheid van taal. Haar beeldspraak laveert tussen het tastbare en onaantastbare De realiteit wordt omhelsd in eigenzinnige metaforiek. Details zijn essentieel.


    €25.00
  • Item:MER-1404

    Spoons, Tim Onderbeke

    Artist Tim Onderbeke and jewellery designer Louisa Maria Ponseele combine their fascination for memory, beauty and luxury in the artist book Spoons. On the beach they created shiny utensils with found materials that they pressed into the sand and casted into tin. The result is a beautiful series of fragile, poetic objects with titles such as ‘Spoon for stealing rainbows, ‘Post Poseidon’, ‘Tea for two’ and ‘Moule a gogo’. ‘Moreover, in a typical place setting, spoons are also purchased or given as ornamental objects: as a ceremonial gift at a baptism, as an expression of a lover’s affection or as a souvenir from a journey, be it near or far.', Melanie Deboutte writes. She begins her essay with Botticelli's Birth of Venus, where we see this goddess being carried ashore on a shell. "It is impossible to pinpoint the date at which the first spoon appeared, but somewhere between a hollow shell and an empty palm, a scoop emerged during the course of prehistory.”. After this she takes the reader on a trip through art history with the aid of the spoon.


    €19.00
  • Item:MER-1403

    Adrift (German version), Ricardo Brey

    The publication reflects the core of Ricardo Brey’s most recent body of works Adrift (2014-ongoing) 



    as well on the core of the overall aspiration of Ricardo Brey for his exhibitions in Museum De Domijnen in Sittard, the Netherlands (10 February – 10 June 2019) and Gerhard-Marcks Haus, Bremen, Germany (1 December 2019 – 1 March 2020). While it is not an artist book in the traditional sense, it is definitively a project by an artist. The aim of the publication is to create a sense of the artistic space that Brey wants to offer, with a polyphony of voices and an immersive sphere in which a quality of behavior is of prime importance. It focusses strongly on his most recent body of works, Adrift



    __



    “… Ricardo Brey’s most recent ongoing body of work lacks the defined cohesiveness of previous artistic projects, which were united by shared formal and thematic concerns. After being confined to a wheelchair for several months due to medical issues, the artist described himself as “drifting around … wandering in my study not … working in my total capacity.” Discovering that this description—“drifting off”—described his new state of mind, he began to create a series of disparate yet interconnected works from, in his words, “fragments that float in my memory, images that have no place in the rigid parameters of my previous work.” Ranging in form from sculptures and installations to photographs and drawings, these works recall earlier projects while breaking new ground. 



    (Alexander Gray Associates New York) 


    €39.99
  • Item:MER-1402

    Bloedtest

    Wit.h huivert bij de gedachte dat onze medische en technische evoluties geruisloos de samenleving binnensluipen. Terwijl de gevolgen op ethisch vlak soms immens zijn. Wat te denken over de mogelijkheid dat er heel snel geen personen met Down nog geboren worden? Het Museum dr. Guislain en Wit.h bundelen de krachten om een artistiek project te realiseren dat deze bloedtest (de NIP test) en vooral de gevolgen ervan onder de aandacht brengt. Een complexe problematiek, zoveel is duidelijk. Via onderzoek, experiment en een organisch werkproces komen ze tot een unieke presentatie.



    Prof. Dr. Ignaas Devisch bundelde zijn inzichten bij dit project als rode draad in het boek. Over de NIP test zegt hij: “Onze ‘existentiële actieradius’ wordt groter- dat noemen we vrijheid - maar daardoor nemen de morele dilemma’s toe – en dat heet verantwoordelijkheid. Meer vrijheid vraagt meer verantwoordelijkheid, want zodra het leven niet langer ons lot is, maar wat we er zelf van maken, valt aan de plicht om keuzes te maken nauwelijks nog te ontsnappen.”



    Deze uitgave is deel van de Walking Opera ‘Bloedtest’, een inititaief van Wit.h en Museum Dr. Guislain Gent in coproductie met Kunstencentrum Buda Kortrijk, De Beelderij Torhout, De Figuranten Menen, Des Mensen, Kontekt Gent, Passerelle Kortrijk, Theater Stap Turnhout, UGent vakgroep Orthopedagogie, Vives Kortrijk, Vormingplus MZW.


    €29.00
  • Item:MER-1401

    The Meaning of Things, Matt Mullican

    Now available as pre-order.



    This title is the book-form of a work by Matt Mullican, The Meaning of Things (who feels the most pain?) (2014), consisting of 676 collages and texts on sheets of standard printing paper. At the approximate center of each collage is a small image that appears to be a printout of an image procured from the Internet. Around the images are hand-drawn, quasi-calligraphic marks (in black only), curved, giving the impression of an “organic” form in the manner of ornate, rococo frames. First shown at Rosenwald-Wolf Gallery in Philadelphia, 2016. 


    €39.00
  • Item:MER-1400

    Representing the Work, Matt Mullican

    In the mid-1970’s, Matt Mullican developed a unique artistic language based on pictograms, diagrams and cosmological models. In reaction to conceptual art, this return to the image made the American artist one of the represantatives of the Picture Generation. Alongside these symbols placed on various supports (sheets, books, stained glass, etc.), his performances under hypnosis give expression to that person, an emblematic, even caricatural human figure. In 2018, Matt Mullican created representing the work, an installation mosaic of 64 iconographic illustrations that catalogue the principal chapters of his work.



    This catalogue was published on the occasion of the exhibition ‘Matt Mullican. Representing the Work’ at MAC’s Grand Hornu, 16.02–18.10.2020.


    €39.00
  • Item:MER-1393

    The Story of Hardcore 1977–1999, Onno Hesselink & Hans Verbeke

    It all begins in 1978, when a near-legendary Sex Pistols/P.I.G.Z. show in Kortrijk gets cancelled. From that point on, the story rips by like a runaway train, up until the turn of the millennium. From the early 90s on, the H8000 hardcore scene became one of the most active and influential punk scenes on the European mainland. Its musical style and philosophy had — and still have — a major influence on bands and individuals all over the globe. The personalities presented and opinions expressed in this book are as varied as the music these people have created since. This is your chance to hear the real story, straight from the mouth of key players in bands like Rise Above, Nations On Fire, Blindfold, Shortsight, Spirit Of Youth, Congress, Liar, Regression, Deformity, Spineless, as well as many record labels and zealous fans from the heydays of H8000. Dig into heartfelt memories about camaraderie, dedication and insecurity in the form of happy/sad tour diaries, gig anecdotes and dirty squat confessions.



    In the dark ages before desktop publishing, album artwork had to be pasted together by hand. If you were a kid in those pre-web days, xeroxed zines were your main source for information. Bands had to rely on friends and bands in other cities to get them shows if they wanted to tour. In keeping with that DIY spirit, you will find out who those people were and get the stories behind their contributions first-hand. While the book’s imagery sparks the imagination, the commentary sprinkled throughout will let you relive the thrilling old-school times of the era.



    More than anything, this book will show you how crazy those times truly were. With an immense number of bands spawning from an area the size of just a few blocks in NYC. The H8000 scene of the 90s proved that willpower, youthfulness and creativity can overcome any obstacle. Those kids just did their own thing, caused a stir and together, shaped a musical movement that put Belgium on the map.



    This compendium is filled to the brim with beautiful and compelling stories, cut-and paste-flyers, never-before-seen photos, sharpie playlists and a detailed discography of every significant H8000 release. Read on and discover how H8000 helped change the face of hardcore punk, just like L.A., New York or Boston did.


    €39.00
  • Item:MER-1389

    Tim Onderbeke , Labyrinth

    The book Labyrinth exhibits a selection of extraordinary photographs by Tim Onderbeke (°1983) of architecture by Alfons Hoppenbrouwers, Juliaan Lampens, Paul Felix, Paul Meekels, Jul De Roover, Jan Tanghe, Lode Wouters, René Stapels, Victor Bourgeois and objects and sculptures by Roger Bonduel.



    __



    I’m very sensitive to the ‘appearance’ of a building in an environment. As I wandered through the Flemish landscape, I was drawn to the aesthetics of these properties and to the host of ever-changing impressions concerning styles, spatial planning, functions and eras. 



    I’m not an architect. I’m not guided by plans or texts. The architecture allows me to create a new image: the poetry of lines — which is why Le Corbusier’s Poème de l’angle droit is so resonant — , the compositions, the materials that are specific to the building. It enables me to discover architecture as an image, as something layered and complex.



    I look at the architecture through the lens of my camera, the architecture exists for me as an image, not as an object or as a character. It is a search for a mental space that withdraws from the power of architecture. 



    — Tim Onderbeke



    Additional author: Veronique Boone


    €39.00
  • Item:MER-1377

    Adrift (English version), Ricardo Brey

    The publication reflects the core of Ricardo Brey’s most recent body of works Adrift (2014-ongoing) 



    as well on the core of the overall aspiration of Ricardo Brey for his exhibitions in Museum De Domijnen in Sittard, the Netherlands (10 February – 10 June 2019) and Gerhard-Marcks Haus, Bremen, Germany (1 December 2019 – 1 March 2020). While it is not an artist book in the traditional sense, it is definitively a project by an artist. The aim of the publication is to create a sense of the artistic space that Brey wants to offer, with a polyphony of voices and an immersive sphere in which a quality of behavior is of prime importance. It focusses strongly on his most recent body of works, Adrift



    __



    “… Ricardo Brey’s most recent ongoing body of work lacks the defined cohesiveness of previous artistic projects, which were united by shared formal and thematic concerns. After being confined to a wheelchair for several months due to medical issues, the artist described himself as “drifting around … wandering in my study not … working in my total capacity.” Discovering that this description—“drifting off”—described his new state of mind, he began to create a series of disparate yet interconnected works from, in his words, “fragments that float in my memory, images that have no place in the rigid parameters of my previous work.” Ranging in form from sculptures and installations to photographs and drawings, these works recall earlier projects while breaking new ground.



    (Alexander Gray Associates New York) 


    €39.99

Items 1 to 9 of 98 total

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