Search results for 'architecten de vylder vinck taillieu bvba'

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  • Item:MER-1378

    Saudade, Laura De Coninck

    Met het boek ‘Saudade’ doet Laura een oproep naar ambassadeurs van het woord. Ze hoopt zo veel mogelijk mensen te ‘besmetten’ met de liefde voor dit woord, zodat het gedeeld en gemeengoed wordt.



    Toen ze het woord hoorde en de betekenis bij herhaling tot haar doordrong, ervaarde ze dit als een soort thuiskomen. Het was alsof plotseling alles op zijn plaats viel; haar oeuvre en dat wat haar dreef om te schilderen had plots een gemeenschappelijke noemer gevonden, een vlag die de lading dekt. En ze ontdekte nog iets anders: wat zij tracht uit te drukken in beelden is net zo onbestemd als wat haar vader probeerde uit te drukken in zijn poëzie.



    Laura vertrok bij het maken van deze bundel met het neerschrijven van emoties. Waarvan de sfeer zich vertaalde in beelden. In een poging om op een zachtere manier over de werkelijkheid te communiceren dan woorden kunnen doen. Woorden schieten vaak tekort, kunnen harder aankomen dan bedoeld en worden vaak verkeerd begrepen. Om haar waarheid uit te drukken grijpt Laura bij voorkeur naar een beeldentaal. Het is een zachte manier van spreken over datgene wat haast onzegbaar is. Een gesprek zonder woorden over Saudade en de kracht en de fragiliteit van de liefde.





    “De emotionele werelden die haar vader kon oproepen op zijn unieke manier, met de juiste woorden, roept Laura op met eenzelfde authenticiteit aan de hand van een ingetogen samenspel van lijnen, beelden, inkt en papier. Ik lees haar graag."



    — Jan Moeyaert, organisator Kunstenfestival Watou.


    €39.99
  • Item:MER-1370

    E2N Archives Actives, En attendant l’année dernière

    Espace 251 Nord is a belgian art center dedicated to the production and exhibition of Belgian and foreign artists. To intensify visibility and circulation of artists in Wallonia and Brussels, the non profit organization organizes exhibitions and communication plan in the Euregio Meuse-Rhin and Europe (Rome, Venice, Florence, Delft, Lisbon, Paris, Lille). Espace 251 Nord organizes «extra-muros» exhibitions to get artists works to circulate, in order to raise awareness about contemporary art among various types of audiences. Since 1984 it has also been offering periods of residence to belgian artists. Espace 251 Nord provides a unique framework for artists to pursue their practice and engage in current debates and researches that examine the potentials of contemporary artistic production.



    To celebrate its 35th birthday, Espace 251 Nord shares its history with a 576 pages’ volume book, opening with an extensive plates’ section of exhibition views and closing with an exhaustive chronology & anthology of the 187 exhibitions and events, since 1983 produced by Espace 251 Nord under the direction of Laurent Jacob


    €49.00
  • Item:MER-1359

    MUSEUM III. 2.1, Sven Augustijnen & Sammy Baloji

    Deze publicatie documenteert de tentoonstelling van Sven Augustijnen (°1970, Mechelen) en Sammy Baloji (°1978, Lubumbashi) in het Cultuurcentrum Strombeek in het najaar van 2018.



    De kunst van Sven Augustijnen breidt zich al geruime tijd uit tot thema's zoals wapenindustrie, ideologie en kolonialisme, invloed en macht. Augustijnen graaft in de donkere geschiedenis van onze relatie met de voormalige kolonie. Hij maakte naam met zijn in film gezette onderzoek "Spectres" over de tragische dood van/moord op Patrice Lumumba. Augustijnen kocht een quasivolledige set van het vijftiger jaren magazine "Europe Magazine" dat hij oordeelkundig en betekenisvol openvouwt in een monumentale vitrine, zodat de tijd van de Koude Oorlog, kolonialisme en wapenwedloop in beeld en tot de verbeelding van de bezoeker komt. Vanuit de onaangeroerde, druktechnisch perfect geconserveerde magazines – die nu documenten zijn geworden – weet Sven Augustijnen een indringend tijdsbeeld te evoceren dat tot op vandaag nog steeds niet is verwerkt.



    Sammy Baloji, die pendelt tussen Brussel en Lubumbashi, was aanwezig op documenta 14 in Kassel en Athene met video en sculpturen die via hun symbolische geladenheid (koper) de inhoud letterlijk laten spreken vanuit de materie waarmee "wij" rijk zijn geworden. Hij maakte afdrukken in koper van luxetextiel uit musea in Brussel en Kopenhagen, toonde originele koperen Katangakruisjes en wist met een indringende video een beeld te geven van hoe koper wordt gesmolten, bulk-klaar voor de globale markt. Daarmee wist hij een reflectie neer te zetten over grondstoffen en de manier waarop ook immateriële diensten zoals educatie, godsdienst en cultuur werden ingezet om de houdbaarheid van de kolonisering bij de bevolking te continueren.


    €20.00
  • Item:MER-1350

    List, Stefaan Dheedene

    This first monograph on conceptual artist Stefaan Dheedene (°1975, Belgium) brings an overview of 20 years of artistic practice. The book can be considered as an instrument or handbook, that was created in order to conceive a mental and fysical space in which the oeuvre can be compressed and interrelationships can be exposed. This monograph was structured by Dheedene himself, by the use of eight named lists. This principle makes the underlying artistic research visible and creates the possibility of a multiple approach, without falling into corrections and forced interpretations and contextualization.


    €39.00
  • Item:MER-1349

    Aphasia, Jelena Jureša

    Aphasia is a book that is published at the occasion of a filminstallation and exhibition with the same title by the artist Jelena Jureša. As a medical term, ‘aphasia’ refers to the inability to speak or to find the right words. Jureša’s new film consists of three chapters, each focusing on the collective silence surrounding crime and the compartmentalisation of historical events, and tracing the line between Belgian colonialism, Austrian anti-Semitism and the wars in Yugoslavia.With Aphasia, Jureša not only digs for the roots and preconditions for a state sponsored violence, but also for the reasons why such collective crimes keep being repeated. The film zooms in on objectivisation and dehumanisation processes, among other themes, while at the same time shedding light on the roles played by photography and film. Aphasia is a work of art about racism and intolerance, exposing the banality and triviality of evil. The films challenges us to look (literally) more attentively and to question our own individual and collective position. Aphasia is a call, not for punishment or outrage about the crimes committed during colonial times, the Holocaust or the atrocities in Bosnia during the Yugoslavian wars. Rather, it is a call to break the collective silence, and to actually look at the blind spots that seem to have become a fundamental part of our European identity. Aphasia begins where everything else ends— precisely because the artistic imagination can offer different perspectives, solace and justice.


    €25.00
  • Item:MER-1348

    In Practice, Philippe Vander Maren & Richard Venlet

    In this book, together with Pierre Chabard, Philippe Vander Maren and Richard Venlet explore and explicit the design process of House D through a set of unpublished work documents such as sketches, scale models, series of annotated plans, collages and pictures. They retrace the collaboration with the client, the exchanges between the architect and the artist, the moments of discovery of essential features of the design, the similarities and dissonances with architectural precedents. This book was produced following the In Practice conference in Liège, Galerie Opéra, on June 12th 2018. In Practice is an initiative of Harold Fallon (KU Leuven) and Benoît Vandenbulcke (ULiège). Initially, In Practice were conferences at which architects were invited to unveil their working documents and tell their story. These short conferences were followed by a conversation with a panel of critics, architects, editors and academics. Architecture opened up to the modalities of research.With this book, In Practice goes further and positions itself at the heart of research, while remaining at the heart of the architect’s work. The book is written on the basis of collected statements. Or rather, it is written by many hands: the external outlook and inner knowledge complement each other. The work dissects the genesis of a project, it shares the doubts, it extracts the mechanisms that lead to choices and it discovers the intuitions which make poetry.


    €24.00
  • Item:MER-1347

    Chantier Construction Site, AgwA

    AgwA shows work in progress: execution as a verb. A collection of collected images. Without a necessary order or sequence. Enlarged and then zoomed in again. But moments that had to be visualised at that time. Perhaps merely to serve as witness. Perhaps ultimately as an unencumbered catalogue of which only this or that will really be understood later on. Or will even be used. AgwA makes work of work in progress: exe¬cution as a context. That all of those images are collected is not odd. Not odd in and of itself. As situated: the importance of the building site. But also not strange for AgwA itself. The work itself of AgwA. Increasingly the work situates the idea of what a building truly is. How it is made. Or rather, how it is actually made. — Jan De Vylder 



    AgwA is a Brussels based architecture office. The projects of AgwA architects focus mainly on public infrastructures and buildings for collectivities in Belgium. Amongst these, reconversion projects in complex urban contexts are predominant. In these loaded surroundings, AgwA aims at clear spatial cuts which can be built in a very straightforward way. To achieve this, the internal resources of architecture are fundamental. Structures, construction materials, ample spatial systems and a precise contextual positioning are at the heart of their design strategies. Their architecture is simultaneously ordinary and exceptional.



    Photographs by AgwA, Filip Dujardin, Antoine Espinasseau, Delphine Mathy and Sévérin Malaud. Texts by Jan De Vylder (architects de vylder vinck taillieu, Ghent) and Tom Emerson (6a architects, London). AgwA partners : Benoît Burquel, Harold Fallon, Benoît Vandenbulcke


    €20.00
  • Cylinder #9, Joris Van de Moortel

    Cylinder #9, Joris Van de Moortel

    Comics were Van de Moortel’s first love: his first drawings, his first stories; a dwelling of fantasies and a lack of reality: he devored them as a child. His first publications with MER., the Cylinder Series, is not a real comic book series, but the idea is based on the structure of it. It fits perfectly to get Van de Moortel’s work published. The sketches, the colouring, the humour that feels close to the practice: it’s a work in itself and not just a representation of images. The artist prints one new Cylinder issue on the occasion of each new project or exhibition. Each cahier has a unique design and cover. Each will be published separately at first; becoming one book after 10 editions that will be published as a whole. Every edition is a new adventure having the same basic players, added, transformed. It’s one big playground: like a show. This is the sequel to Cylinder # 8. It is the ninth issue of the Cylinder Series.


    €10.00
  • Item:MER-1339

    Inland Voyages in An Inland Voyage, Mira Sanders

    Under the generic title of Journal of a user of space, Mira Sanders (°1973, Brussels) develops a manifold oeuvre on mapping and territory as well as architecture and social space. The network of lines as well as the physical and temporal trajectories of her wanderings, constitutes through her drawings, videos and installations, a work of fiction inspired by the everyday and the trivial. As an invitation to multiple travels, Inland Voyages in An Inland Voyage was presented during two exhibitions, at Argos – Center for Art and Media in Brussels in 2016 and at the Musée d’art contemporain de la ­Haute-Vienne, Château de Rochechouart in 2018.


    €19.00

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