Cahier de brouillons shows over 600 drawings selected from on ongoing archive by Belgian painter Werner Mannaers. 

Exhibition catalogue that turned out to be a true artist book made up of hundreds of b/w photographs taken by Tuerlinkx forming a radical walk-through of her exhibition 'Drawing Inventory' at the Drawing Center, New York (25.05–22.04.2006).

“Coopting the living museum as a found object and employing its empty forms - vitrines, labels, walls, and frames - to probe, measure, and reconfigure the relations between objects and people within the institutional setting, Tuerlinckx is a provocative operator.”

Laureate for the Plantin Moretus Award 2008

crox-boek nr 6

crox-boek nr 7

This book is written and illustrated by illustrator Karolien Vanderstappen. Mamamania is about all kinds of mothers. Giving them a characteristic name, Vanderstappen creates 12 new words existing in a fantastic word-mash, beautifully and humorously illustrated.

Published on the occasion of the exhibition 'Zero in New York' at Sperone Westwater, NY, 2008.
This opulently illustrated catalogue offers a unique English compendium to the Dusseldorf-based Zero movement, which went on to attract an international cadre of collaborators and affiliates including Nanda Vigo, Yayoi Kusama, Yves Klein, Jean Tinguely, Tsuruko Yamazaki, Arman, and many others. Its history is traced from its immediate beginnings in 1957 to its dissolution in 1966, only one year after New York's Museum of Modern Art exhibited 'The Responsive Eye', in which many artists of the Zero avant-garde took part.

The Belgian artist Ives Maes started his Recyclable Refugee Camp project in an ironic attempt to make 100% ethic correct art. By this statement Maes refers to a tradition of the ethical obligation that art should have a social relevance. The result is a Gesamtkunstwerk of recyclable living units existing of organic structures such as hideaways, latrines and water sources built according to the rules of the UN Refugee Agency. Maes questions the touristic view in which we look at the world, the voyeuristic impulse of the human being and the documenting role the art world tries to fulfil. 

Academia: Qui es-tu? is the second part of a trilogy, which opened with  Artempo in Venice, 2007, and focused on the impact of ‘Time’ on art, as a source of destruction, but also of production. The publication Academia: Qui es-tu? was made on the occasion of the eponym exposition held on the site of the chapel of the l’École des Beaux-Arts in Paris and examines the dynamic processes of artistic creation. Laureate for the Plantin Moretus award 2009.

Zoom In Zoom Out is the third publication about Z33. The first edition was a compilation of the first two years of Z33 (2003-2005), the second publication (2006-2007) gave a comprehensive report of the exhibitions and activities of Z33.
This third edition brings together six exhibition projects, from No. 14 (2006) to No. 19 (2008), with more than 130 artists, designers, architects, scientists and researchers - from Martí Guixé to Laszlo Moholy-Nagy to Studio Job, from Marina Yee to Ann Veronica Janssens to Ryoji Ikeda - in text and pictures.